Navigating our Net Zero Journey
Blogs
Lucy Edwards
Lucy is an Architect at BoonBrown with a passion for sustainable, context driven design that responds sensitively to the needs of both users and the environment. As a member of BoonBrown’s Social Value Committee, Lucy is championing carbon footprint awareness and environmental initiatives within the office.
From Impact to Action
As part of BoonBrown’s Social Value Strategy, over the last three years we have been calculating and tracking the Carbon Footprint of our Southwest and London Studios. In 2023, we launched our inaugural Carbon Reduction Plan which outlined our baseline Carbon Footprint along with the carbon reduction initiatives we have implemented and proposed. Since the publication of this plan, we have continued to assess our carbon impact and have recently released an updated Carbon Reduction Plan, now available for viewing on our website here.
As a practice, we are committed to reducing our carbon footprint to achieve Net Zero by 2040. This aligns with the government’s goal to achieve Net Zero emissions in the UK by 2050. The first step in reducing our carbon footprint was to measure our existing impact so that we could identify areas of improvement to reduce our carbon emissions where possible. For emissions which cannot practicably be reduced, we will look at offsetting measures to reach our target goal of Net Zero.
2023 Analysis
In 2023, we observed a modest rise in our Carbon Footprint compared to 2022. While our Scope 2 emissions decreased, there was a slight increase in Scope 3 emissions. This may be partly attributed to the return to regular work and travel practices following the impacts of COVID-19. Additionally, our staff numbers grew from an average of 44 in 2022 to 48 in 2023, which likely contributed to the rise in Scope 3 emissions related to employee commuting.
However, when evaluating BoonBrown’s carbon footprint on a per-employee basis, we observed a decrease from 1.82 tonnes of CO2e in 2022 to 1.74 tonnes of CO2e per employee in 2023. This represents a reduction of approximately 4.5% and continues the trend observed when considering available 2019 data.
Measuring our carbon footprint continues to highlight some interesting findings and statistics, helping to raise awareness of our environmental impact, both collectively as a business and individually through our own day-to-day habits. It also gives weight to the environmental procedures we implement as part of our ISO14001 accreditation.
Read on for a reminder of how we calculate our Carbon Footprint.
Scope 1, 2 & 3 Emissions
There are three ‘Scopes’ which make up our Carbon Footprint calculations, as defined by the Greenhouse Gas Protocol (GHG Protocol) established in 1998:
- Scope 1 covers all direct emissions from sources controlled by an organisation, such as burning fuel in company vehicles, refrigerants, and burning gas in boilers.
- Scope 2 includes indirect greenhouse gas emissions from purchased energy, such as electricity, heating, cooling, and steam.
- Scope 3 covers all remaining indirect greenhouse gas emissions from activities, from sources not owned or controlled by an organisation.
Scope 1 and 2 emissions are generally easy to quantify and record. However, Scope 3 emissions are much harder to measure despite typically accounting for 65% – 95% of an organisation’s total Carbon Footprint. Measuring Scope 3 emissions requires extensive assessment of the supply chain, including both upstream and downstream activities, and often relies heavily on estimates and third-party data.
BoonBrown Carbon Footprint
Our Carbon Footprint is calculated in tonnes of CO2e, or Carbon Dioxide Equivalent. This is a metric measure used to compare emissions of different greenhouse gases based on their global warming potential.
At BoonBrown, our Scope 3 emissions account for approximately 86% of our total Carbon Footprint and are broken down into the following categories:
- Employee Commuting
Calculated based on miles travelled, by transport and fuel type.
- Business Travel
Calculated in the same way as Employee Commuting.
- Business Accommodation
Based on number of nights spent in hotel accommodation.
- Waste and Recycling
Calculated based on total weight of items recycled or sent to landfill, which is recorded as part of our ISO14001 processes.
- Water Usage
Calculated using total water consumption in m3.
- Employees Working from Home
Based on average number of days per week spent working from home.
We used the Small Business Carbon Calculator created by Climate Impact Partners to convert our collected data into tonnes of CO2e.
Our total Carbon Footprint for 2022 was calculated at 80.11 tonnes CO2e, equal to approximately 20 elephants! In 2023 this increased slightly to 83.58 tonnes CO2e. However, when calculated as an average per employee, we saw a reduction from 1.82 tonnes CO2e, to 1.74 tonnes CO2e – a reduction of 4.5%. A full breakdown of our calculations and the emissions attributable to each of the above categories is available in our Carbon Reduction Plan on our website here.
What have we learnt?
This exercise continues to be an enlightening process and allows us to learn more about the theory behind carbon footprint calculation as well as better understanding the environmental impact of our practices and individual actions. Sharing the findings with our teams in London and Yeovil has given weight to the environmental procedures we implement as part of our ISO14001 accreditation, encouraging staff to adopt new ways of working to reduce our carbon footprint.
In 2022, much of the data for our London Studio was calculated based on averages in the Southwest office. Over 2023, we increased our data collection in both studios which has improved the accuracy of our calculations.
Carbon Reduction Initiatives
Our Carbon Reduction Plan outlines both our implemented and proposed carbon reduction initiatives in detail. Below are some examples of initiatives at an individual level that all employees are implementing in their day-to-day working practices:
- Encouraged staff to switch to ‘green’ search engines, such as Ecosia, which uses profits from advertising to plant trees across the globe.
- Removed individual desk bins, to encourage proper recycling of waste.
- Turning off equipment when not in use, including lights, printers, PCs overnight and monitors when not at your desk.
- Only printing when necessary.
- Encouraged car sharing when commuting or attending remote meetings.
- Improved bike storage in the Southwest Studio to encourage cycling to work.
- Unplugging electrical items when fully charged and switching to reusable batteries where possible.
As a practice working in the construction industry, we are well placed to make positive ‘greener’ choices when designing and delivering our projects, encouraging and assisting clients to incorporate sustainable technologies and reducing the carbon impact of development where possible. As we continue to develop our Net Zero strategy, we plan to actively seek opportunities for further offsetting solutions such as tree planting and habitat creation.
Government’s plan to get Britain building
Blogs
Written by
Simon Sharp
Simon is an Associate Planner at BoonBrown. He has over 30 years’ experience in planning with a particular specialism in heritage. Simon is passionate about being part of a team that delivers projects that provide futures for our heritage assets.
On 30th July, the Deputy Prime Minister, Angela Rayner, delivered a ministerial statement in the House of Commons. She introduced the “government’s plan to get Britain building” and “a radical plan to not only get the homes we desperately need, but also drive the growth, create jobs and breathe life back into our towns and cities.”
The issues to be addressed are not to be underestimated. In terms of new homes, there has been a persistent year after year under-delivery since the 1970s based on the government’s own statistics. 300,000 net new homes are required to meet need every year, this need stemming from people living longer, decreasing household size, net migration and loss of existing housing stock.
Alongside the net increase in supply required is a need for homes to be in the right places where there are jobs, homes to be of an acceptable standard in terms of construction, space, energy efficiency and accessibility, and for them to be affordable. The last concern is obviously affected by the under supply.
The underlying statistics (ONS 2024) make for uncomfortable reading.
In the financial year ending March 2023 only 210,320 net new homes were completed in the UK. The last time it exceeded the 300,000 currently needed was in 1976 and this was due to over 150,000 local authority homes being delivered that year.
In 2002, the median salary in England was £20,739 and the median house price was £102,000. This equated to an affordability ratio of 4.92. In 2022, the median salary was £33,208 and the median house price was £275,000 equating to an affordability ratio of 8.28.
3.5 million homes in England in 2021/22, including 12% of households with dependent children, were in ‘non-decent’ condition i.e. those that do not meet the statutory minimum standard for housing, do not provide a reasonable degree of thermal comfort, are not in a reasonable state of repair, or do not have reasonably modern facilities and services.
The new government’s plans include: –
- A mandatory standardised housing needs methodology that will result in significant uplifts in the identified need in the majority of areas with the exception of some cities such as London.
- The designation of some areas of green belt as grey belt to include but not be limited to brownfield land.
- Reforms to the local plan preparation and adoption process.
- Prioritising new social rented homes and better protection of existing affordable housing stock by reviewing Right to Buy.
- Reform of strategic planning to provide the mechanism to deliver infrastructure such as wind farms, solar arrays and pylons.
- A new generation of new towns.
Shortly after Angela Rayner’s Statement, a draft new National Planning Policy Framework (NPPF) was published for consultation setting out more detail and the government’s policy position on matters ranging from housing delivery, economic development, climate change, design and heritage. Embedded within the new NPPF are the planning mechanisms to secure delivery of the government’s objectives such as increased housing supply and the delivery of strategic, including energy, infrastructure.
New NPPFs are nothing new. Indeed, we’ve had two iterations in the last twelve months alone (September and December 2023).
The first NPPF was published when Eric Pickles was the Secretary of State in 2012 and Greg Clark the planning minster. All NPPFs are a material planning consideration in decision making when local planning authorities, planning inspectors and ministers determine applications. They do not challenge the plan led system and the primacy of local plans and neighbourhood plans in decision making.
The government’s plans do not change the fundamental principles of this system.
The intention and reality are that NPPFs influence decisions as a material consideration; local and neighbourhood plans are the first port of call in the decision maker’s assessment but the weight afforded to the policies contained within these plans is tempered by varying degrees according to the consistency or otherwise with the latest NPPF’s content.
At first sight it is likely that many local and neighbourhood plans will find themselves at odds with the new NPPF, especially in relation to matters such as housing supply. This inconsistency should mean that less weight is afforded to these plans, significant weight is afforded to the NPPF, and more housing is granted.
The proof will be in the pudding. Government plans have been previously derailed by the bureaucracies, resource deficits, politics and legal challenges that characterise the planning system. In some instances, these have been self-inflicted as resources have been drained from local authorities, a lack of consultation has been carried out or local considerations have forced national U-turns. And, in a multitude of instances, proposed developments have rightly been refused; there should always be a balance and growth must always be assessed in the context of our collective duties towards biodiversity, climate change, landscape, living standards etc.
There are other factors at play that affect delivery but they key is undoubtedly the planning process.
Following the end of the consultation period for the new NPPF in September it is the government’s intention to publish it in its final form by the end of the year.
There will undoubtedly follow a period of months if not years as developers, council officers, consultees, interested parties, councillors, barristers and other stakeholders grapple with the meanings behind the words. As night follows day, there will be the inevitable publication of complementary guidance notes, discussions, disagreements, local resistance, perceived contradictory decisions, appeals and judicial reviews.
One can only face this future with the hope that, this time, affordable, quality homes in the right places with the infrastructure that they need can be delivered to meet need.
Happy Pride Month!
Blogs
Written by
Matt Gray
Matt is an experienced Architectural Technologist with expertise gained across multiple sectors of the industry and extensive knowledge of the residential sector in particular.
As Pride Month draws to a close, we reflect on the celebration and awareness raised for the LGBTQ+ community’s pursuit of equal justice and the issues affecting its members. In the UK, significant progress has been made towards acceptance and equality. However, the Architecture and Construction Industry still faces challenges. A 2017 survey revealed that 39% of Architects heard homophobic slurs used as insults in the past year, and 48% of gay and transgender Architects feel discouraged due to a lack of openly gay colleagues. Furthermore, 66% of respondents expressed a desire for more support for sexual and gender minorities within the industry.
These statistics highlight the ongoing need for improvement. At BoonBrown, we place Equality and Diversity at the core of our values. We believe that a welcoming and open work environment allows individuals to thrive and achieve their career aspirations.
To promote this, we have incorporated Equality and Diversity training into our Mentor program, aiming to educate and raise awareness among our colleagues. These training sessions often lead to open conversations and a deeper understanding of individual issues, fostering an inclusive mindset.
Ultimately, it is crucial for employees to feel at home and valued, knowing that their differences do not affect their roles or how they are treated in the workplace. Companies can stay up-to-date with inclusivity by regularly sharing blogs, articles, and promoting team gatherings to maintain an open and friendly environment.
Together, we can create a more inclusive and supportive industry for everyone. Let’s continue to champion equality and celebrate the diversity that makes our community strong. Happy Pride Month from all of us at BoonBrown!
Appreciating Architecture through the London Festival of Architecture
Blogs
Written by
Nadine Richards
Nadine is an Office Manager at BoonBrown with a passion for creativity and engineering. She has a keen interest in applying design thinking and problem-solving skills to create innovative solutions for various challenges and opportunities. She is motivated by learning new things, collaborating with others, and making a positive impact.
The London Festival of Architecture (LFA) turning 20 is an incredible milestone, marking two decades of transformative impact on the architectural landscape of London. My journey with the LFA began in 2022, a mere nine months into my career at an architecture firm. Discovering that this festival had been fostering architectural discussions and pushing the boundaries of creativity across London for 18 years prior left me in awe.
In 2022, the LFA’s theme, ‘ACT,’ prompted reflection on navigating a post-pandemic world. During this period, I participated in a workshop hosted by EPR Architects at the RSBC Life Without Limits Centre. Titled ‘Build an Animated City – Sensory Clay Workshop,’ it was an eye-opening experience. Imagining the tactile sensation of clay in my hands with closed eyes allowed me to appreciate the importance of inclusive design and sensory perception profoundly.
Fast forward to 2023, when Brixton was selected as one of the festival’s destinations. With one of our offices newly established in Brixton, our involvement was inevitable. The theme, ‘IN COMMON,’ provided fertile ground for our imaginations to run wild. Delving into Brixton’s common land, we discovered its significant reduction over time, prompting us to imagine what it might have looked like had those commons remained intact.
While some of us, along with students from a local school, focused on illustrating Brixton’s common land history and envisaging a new Brixton designed for people in harmony with nature, others explored what makes Brixton unique today.
Inspired by its music, culture, and diverse community, we sought to capture Brixton’s vibrancy by incorporating its bold colours onto our building.
Using Tunstall Hall as a canvas to re-imagine and extend Brixton’s colourful identity to our road, we employed perspex to represent our findings, attaching it to the bars of our studio’s façade.
Additionally, we made use of Brixton’s amazing mural network by organising a self-guided mural tour. We put together a map our guests could take away, highlighting some of the most poignant murals which capture moments in time spanning at least 40 years, commemorate important heroes and reflect rich culture.
The opening night of our exhibition was on the 20th of June 2023, and it was nerve-wracking yet exhilarating. Countless man-hours were poured into preparations, from crafting kiosks to attaching perspex to our studio’s facade until the very morning of the event! As industry professionals, local residents, and community leaders gathered to explore our installations and engage in discussions, it became evident that our exhibition had succeeded in bridging diverse perspectives and igniting conversations about the future of our city.
Now, in 2024, as the LFA embarks on its 20th-anniversary celebrations, the theme of ‘REIMAGINE’ beckoning us, we’re focusing on a recent opportunity that arose from last year’s event. The Tunstall Road residents’ group enlisted our help to redesign their street, which, much like ours, has faced numerous challenges in recent years. Through surveys and community collaboration, we aim to address their concerns and envision a more vibrant and inclusive streetscape.
In addition to the Tunstall Road project, our exhibition for 2024 features a collaborative map of artwork reflecting London through our eyes. It’s been a rewarding experience, showcasing everyone’s creative abilities even though as architects sometimes we go weeks without hand drawing!
Furthermore, we’re collaborating with the charity New Initiatives to commemorate heroes who have made a difference through accurate portrayals by young people.
As we eagerly anticipate the upcoming exhibition, I am filled with gratitude for the opportunities the LFA has provided me to engage with my community, push the boundaries of architectural practice, and contribute to positive change.
Join us once again as we celebrate two decades of creativity, collaboration, and community at the London Festival of Architecture—a testament to the enduring power of architecture to shape lives and inspire generations.
The exhibition will be up for viewing at our London studio in Brixton between the 17th and 28th of June, so make sure to book your free ticket!
Location:
Tunstall Hall, Bernay’s Grove
London SW9 8DF
Time:
10am – 4pm
Tickets are available here:
RE-IMAGING BRIXTON EXHIBITION
The Common Beech
Blogs
Written by
Elizabeth Malone
Elizabeth is a Chartered Landscape Architect, passionate about creating sustainable landscapes. She is particularly interested in urban design, conservation and naturalistic planting design.
The Common beech (Fagus sylvatica) is one of the most iconic trees, particularly in the south of the UK, it is a common feature in the Somerset landscape and it is also currently under threat as a result of climate change.
The Common beech is considered to be one of Europe’s most ecological and economically valuable tree species, providing vital habitat for wildlife and contributing to the water and carbon cycle. It is one of the largest trees in Britain and can reach 130ft, often known as the ‘Queen of the Trees’. In Hagg Wood, Derbyshire, a beech tree was measured at 45m in 2018 and it is believed that this tree is the tallest native tree in England.
Reduced rainfall and higher temperatures predicted over the next 70 years could lead to conditions that might limit beech tree growth by up to 20-30% in central Europe and in southern Europe losses could be over 50%*. Such losses are an indicator for future dieback, signalling the potential death of vast areas of forest throughout the continent. Mountainous regions on the other hand would see an increase in Beech tree planting, where conditions would become more suited to the species.
The main climate change impacts anticipated, include, drier and warmer summers (particularly in southern, central and eastern England) with an increase in severe soil moisture deficits – reducing tree growth; changes in the seasonality of rainfall, with wetter autumn and winter periods leading to greater water table fluctuations – limiting root depth and reducing tree stability; an increase in the risk of windthrow; an increase in the incidence and severity of tree disease and pest outbreaks due to warmer winters, allowing tree pest and pathogens to extend their range and a heightened risk of fire, as a result of drier and warmer summers.
It is therefore likely, that beech will become a less common occurrence here in Somerset, species-suitability will change – in order for our landscapes to adapt, woodland management should seek to increase habitat resilience. Lesser-known species, including those from other continents and climates similar to those projected for the south of England will become more prevalent due to their better adaptability to drier/warmer summers. Therefore, species will need to be matched carefully to site conditions. These are common principles to be applied in the management of our forests, identifying the most vulnerable sites first. As Landscape Architects, it is imperative that our selection of tree and shrub species is done in consideration of long-term climatic predictions, rather than as simply a response to a site’s baseline, existing conditions.
Young and newly established trees, together with street trees and trees in hedgerows are likely to be the first affected.
Our ancient and native woodlands will be impacted, with species composition altering – beech will see a range shift, becoming more prevalent in the north and west of England. There are also likely to be great changes in the vegetation community structure, because of altered plant competition, as a result of changes in light from increased leaf area and earlier leafing, changes in the growing season temperature and drier soil conditions. The age structure of tree stands will be affected by an increased frequency of natural disturbance events and the risk of fire damage may increase in woodlands that are heavily visited.
Management of our landscapes will need to be adaptive with measures taken on a site-specific basis. An increase in tree species diversity and enhanced monitoring and intervention where possible or appropriate, planting stock to be chosen with an origin up to 2 degrees latitude south of the site and up to 5 degrees south as a small component of mixed provenance stock in species of low-frost sensitivity. Enhanced pest and disease monitoring and intervention where appropriate, an increase in thinning to reduce moisture demand in open stands, increased species composition, increased public awareness and vigilance and to have in place contingency plans and regular training for fighting fire.
When managing ancient woodland or creating new native woodland, it is important to understand the local climate change pressures and constraints on component species, such as Beech, a dominant tree species within our Somerset woodlands. Woodland planting should be adapted with a proportion of non-local native material to increase the resilience of woodlands to climate change. In new native woodlands, a small proportion of species from hotter drier parts of continental Europe may enhance the resilience of woodlands in the long-term – however, species choice should be selected from regions and sites with a contemporary climate to that projected for England in the future and also consideration must be given to potential impacts on native biodiversity through competition and invasiveness. At least 80% of woodlands should be native, but a small proportion of non-native species may be beneficial if they are well-suited to site conditions and are not an invasive threat. Ongoing woodland management will involve natural regeneration and evolutionary adaptation. Expansion of invasive flora and fauna will be likely as warmer climates will expand their ranges/populations. Coppicing and traditional woodland management measures will improve resilience to drought as stools have deeper roots than regenerating seedlings and planted material. Expansion of ancient woodland pasture and parkland will also aid the dispersal of many woodland species.
It is important that long-term changes to our woodlands are monitored, recorded and reviewed at regular intervals. Extending existing areas of woodland and linking to existing semi-natural habitats may enhance the resilience of woodlands. Hedgerows and shelterbelts can also promote dispersal in agricultural landscapes and can create linkages between ancient woodlands. Widening riparian corridors and other linear semi-natural landscape features can also help to reduce fragmentation. Larger and less fragmented areas of woodland are likely to be more robust in the face of environmental issues and woodland networks will provide the opportunity for both native fauna and flora to migrate as climate change progresses.
Aside from the changes anticipated to species composition in our woodlands and landscapes, woodland planting is an important factor in also the fight against climate change, for instance, woodland planted in valley bottoms that are prone to flooding can attenuate high peak flow events downstream and reduce flooding in towns and cities. Trees also remove carbon dioxide from the atmosphere and store the carbon in solid form as wood. Wood products can also be used as an alternative to other materials that release greenhouse gases in their production.
Planting woodland in our urban landscapes will help in the reduction of stress, increased wellbeing, reduced noise, reduced air pollution, provide shelter and improve the visual quality of urban settings.
Planning for change in our landscapes will allow for the greatest rewards in the future, ensuring that our woodlands remain resilient and healthy.
Europe’s beech forests threatened by climate change (europa.eu)
*Martinez del Castillo, E., Zang, C.S., Buras, A. et al. (2022) Climate-change-driven growth decline of European beech forests. Communications Biology 5: 163
Climate change: impacts and adaptation in England’s woodlands (forestresearch.gov.uk)
Adapting Forest and woodland management to the changing climate – UK Forestry Standard Practice Guide (2022)
AI as a tool or something more?
Blogs
Written by
Martin Bignell
Martin is currently studying at the University of the West of England in Bristol and is in his 2nd year of the Level 7 Architectural Apprenticeship.
The advancement of Artificial Intelligence (AI) prompts us to ponder the possibility of being supplanted by computers, sparking debates about the future of practice, the ethical implications of AI and the need for a balance between technological advancement and human well-being. Whilst the progression and integration of AI is unfolding, its potential is yet unknown.
“I have been around long enough to see multiple waves of technological change in the industry and this argument happens every single time… It happened during CAD [Computer-Aided Design], it happened during BIM [Building Information Modelling], and now it’s happening with AI.”
“We always seem to survive these things.” Phillip Bernstein
Throughout the journey, from drawing boards to the expansion of computers and the digital realm, the built environment has consistently advanced, effortlessly fusing architectural innovation with cutting-edge technologies. The evolvement of AI has allowed for the generation of design concepts and iterations, visualisations and renderings, whilst also assisting with data analysis, costings, proofreading and generating text. AI is being developed for different uses seemingly every month. Whilst having a software to assist in producing all of these things will save time, it can come with an overreliance on technology, therefore, limiting creativity. Additionally, there is the risk that currently, AI softwares are not yet advanced enough and will produce incorrect data or unusable outputs, whilst providing a price tag for usage and licensing. Architect, Norman Foster, says, “We live in a world which is physical, we inhabit buildings, streets, squares. That physicality, you can’t replicate by artificial intelligence.”
Whilst AI may become a standard in the industry moving forward, human oversight, creativity and knowledge will likely still be imperative to creating the physical architecture itself. With new AI softwares, such as MidJourney, Dalle and LookX, we need to strike the right balance between utilising AI as a useful tool for efficiency and ensuring human input and control.
Does AI merely represent a novel tool in our technology, or does it pose the potential to replace the role of Architects?
AI is not just a software, it is a culture and environment that we need to adapt to in order to progress within this ever-evolving field. The industry thrives on progress and within the intricate tools that AI has opened, there is a new realm of creative possibility to push design and efficiency further. Although not yet fully discovered, it is important to stay up to date, to ensure that we can remain fully in control. There are major architectural practices actively utilising and experimenting with AI, integrating it into their business models, those who choose to ignore it will ultimately struggle to keep up with the industry.
“You can’t run away from it, you need to run towards it” Errazuriz
Whilst the potential of AI is undoubtably evolving, it is interesting to gain an understanding of what AI thinks it is/will be capable of in the future. We have put the above question into ChatGPT and generated the following response:
“The role of AI in architecture is a subject of ongoing debate. While AI unquestionably serves as a powerful tool, its potential to replace the role of architects is a nuanced question. AI can significantly enhance the design process, aiding architects in generating innovative ideas, optimizing designs, and streamlining aspects of construction. However, the creative and intuitive aspects of architectural design, which involve understanding cultural contexts, human emotions, and aesthetic nuances, remain inherently human.
AI is most effective when it complements the skills of architects, offering tools to expedite tasks, analyse vast datasets, and suggest design solutions. The collaborative synergy between human creativity and AI efficiency holds promise for pushing the boundaries of architectural innovation. Yet, the ethical considerations, the need for subjective judgment, and the intricacies of human experience underscore the irreplaceable role of architects in shaping spaces that resonate with people. Striking a balance between leveraging AI as a valuable assistant and preserving the essence of human-centric design is crucial for the harmonious evolution of architecture in the age of AI.”
The danger of relying on AI, will result in the establishment of who is legally responsible if an AI generation was to cause a fault or delay. Will it be the AI software, the person who created the AI software or the Architect? It could be that, if you have not checked or controlled the output from AI, then that is your fault. We shape our tools, and they shape us. You do not blame the flatpack furniture company if you have built it wrong, so why should we blame the AI software if you do not know how to use it?
There are questions surrounding authorship and originality which pose significant challenges. The UK Government appears to be taking AI seriously, as Prime Minister Rishi Sunak, attended an AI safety summit in November 2023, although the issue of authorship has not yet been solved. In the UK’s legal framework, the Copyright Designs and Patents Act 1988 (‘CDPA’) theoretically extends copyright protection to computer-generated works, even in the absence of a human creator. According to the law, if a work is “generated by computer in circumstances where there is no human author,” the individual who undertakes the necessary arrangements for its creation is deemed the author, i.e. the developer of the AI. Such certainty will only prevail once copyright and insurance status are resolved.
As students, we had a prior interest in the subject matter of AI, however, this year, our studio brief has embraced AI software and their capabilities, which has given us the opportunity to develop our knowledge and understanding on a more practical level. Through gaining a more thorough understanding of its usage, we have been able to teach and make our colleagues aware of the AI tools available and what they can do. During our university studio sessions, we have been integrating AI into our proposals and learning how to use it appropriately and effectively, generating design concepts and visualisations. During the last academic year, the majority of our outputs have been unsuccessful, however, the clear progression in real time of these tools has been illuminating and they have allowed us to learn not to rely on their outputs, but to use them as tools to drive certain design choices.
“Good ideas come from everywhere. It’s more important to recognise a good idea than to author it.” Jeanne Gang
So, is AI a tool, or will it become something more? Will Architects be replaced? Without knowing the full future of AI and only speaking for the existing platforms and predicted evolution, the industry will need to adapt. Remaining in control of AI is a skill that we need to learn in order to progress with the new technologies that evolve every day. If we fail to adapt, we may lose out, but by taking the opportunities that come from AI, we may also have better jobs and opportunities as a result.
Going Public; reviving the Crystal Palace Park loos
Blogs
Written by
James Krikler
James Krikler is an architect and associate at BoonBrown who has led projects from transformational masterplans and urban regeneration to commercial, healthcare and residential development at all scales, and is immensely proud of this latest work.
What do Palace, Park and Public all have in common?
I wouldn’t want to overstate things, but over the last few months, something remarkable has occurred in a large, green corner of south London. Among the trees and beside some aging maintenance buildings, the sounds of tools and hard-at-work builders provided an unusual backdrop to the usually tranquil park setting. For a while there were temporary loos, mesh fencing, and only tantalising views of emerging fresh paint and cedar shingles. But then, Ladies and Gentlemen, just in time for Christmas, the only public toilets in Crystal Palace Park were finally reopened, having at last been refurbished!
Those more familiar with this part of the world will know that the management of the park has recently changed hands from Bromley council to the newly formed Trust, with its ambitious plans to revitalise all parts of this important and historic amenity. Backed by a board made up of enduring locals and seasoned campaigners, they quickly identified that one of the first undertakings of the Trust should be to sort out the dismal park loos. Indeed, when the public was recently surveyed, this was cited as the number one issue. The existing toilet provision was limited, and frankly, an all-round grim experience.
The truth is that the long-suffering park users had been making do with inadequate ‘inconveniences’ for years, through lack of investment or genuine attention. Not to be too critical of cash-strapped local authorities with many calls upon their budgets. But answering the call of nature is one of the most basic of human needs, and here it had been largely neglected. As the Trust announced at the handover event in September to rapturous applause; with the peak summer activity out of the way, this would be their first priority.
BoonBrown had won the open design competition earlier in the year, with our Brixton based studio happy to get involved in a local, community driven project – one that would be perfect for both our architectural and landscape teams. A challenging budget however, meant tough decisions were needed on priorities, materials and the overall scope of the works. To most people, £100k or so, might sound like a lot of money, however in the world of construction that is easily consumed. Never mind the inevitable added expense of working on an existing building in a relatively poor state of repair.
As architects and contract administrators, we approached half a dozen builders, small and large, and were knocked back or quoted 3x the budget for the privilege. Finally, the challenge was accepted by Thomas Sinden, with their small works division excited by the unusual project and admirably keen to support a community in need. It was quickly realised by all parties that a collaborative approach would be required; negotiating specification, programme and methodology, with client input all the while.
Forging a real partnership, our two firms set about trying to stretch the funds as far as possible. Value engineering was embraced, with canny detailing and materials selections bringing maximum benefit for minimum cost, while an awareness of the harsh environment of public toilets influenced the choices being made. Thus with an eye fixed on cost, the design quality was somehow maintained, albeit with a bit of a squint. The uprated fabric even includes Corian wash troughs (sourced on clearance through a Manchester firm), while large format porcelain tiling in three grey tones, provides a robust, modern aesthetic.
Of the key changes, both the female and male sides have been brought closer to the latest British Standards, with some enlarged cubicles and ambulant accessible facilities. Items are set at different heights to suit all users. Baby change units are relocated to the larger cubicles from the open lobby, which also suit those with small children, pushchairs, luggage and the like. New light fittings are recessed in low ceiling areas and in the unseen higher section, crisp linear fittings give the impression of generous daylight from above. In the Men’s, the hand washing is relocated to the exit route, for a little hygiene encouragement, as well as making for a more pleasant arrival than being faced with open urinals.
Back to wall type loos specified for ease of maintenance, required boxing out to use existing waste connections. Sloped tops add character and limit use for anti-social purposes. Bright white troughs against dark grey tiles accentuate the sense of a sanitary space. Painted timber cappings redefine cubicle walls, following removal of mesh caging above. They offer a vibrant yellow counterpoint to the restrained grey. Doors are in sophisticated ‘Berlin Blue’, also used externally to cover patchy buff masonry and vaguely white timber fascias, for a consistent palette throughout. Coat hooks and mirrors provide unexpected luxury in such an environment.
The WCs are located off one of the main thoroughfares, across from the popular café building; one of the creditable successes of the previous management. This provides the inspiration for the cedar shingles and blue central strip, bringing a sibling character to the facing southern façade. Conveniently it also provides a setting for a new defibrillator, in an appropriately shocking, yellow box.
What will the public make of the changes and how will they stand the test of time? Of course the shingles will grey, damage will occur and graffiti will remain the bane of the park staff. But in the shared space of a public park this is about as good as it gets. And while the debate goes on elsewhere about the limited provision of toilets in the public realm, we have one standard bearer that should be flushed with pride.
Anyone who previously had the misfortune to use the old facilities might shiver at the memory. They will be pleasantly relieved by what has replaced them. There’s a Churchillian quote that comes to mind, given what has been achieved for the public good, and on such relatively modest funding. Something about so much, so many and so few… though let’s not overstate things, it’s only a toilet block in the middle of a park.
Howay and beyond: A trip to Newcastle
Blogs
One of the joys of being part of the LDN Collective is the opportunity to explore cities and places with passionate people and varied perspectives. This winter we took on Newcastle, where an eclectic mix of architects, video-makers, social and well-being specialists, urban designers and others, were led by LDN Collective CEO Max Farrell on a circular walking tour around the city, capturing many of the city’s interesting masterplanning and architectural projects.
““Last week the LDN Collective had an incredible study trip to one of my favourite cities, Newcastle upon Tyne. It’s a very special place, not just because of the warmth of its people, but also the magnificent architecture with probably the finest street in the UK and the most iconic bridge. I believe Newcastle is about to experience an urban renaissance, with newly devolved powers and the first ever Mayor to be elected in May, significant funds through levelling up and HS2 redistribution, as well as the richest football club in the world and the wider impact that investment will have. For me, the values that characterise the people are humility, hospitality, civic pride and an unbeatable sense of humour. All of which were there in abundance.”
Max Farrell, CEO of LDN Collective
The Tour
Starting at the iconic Millenium Bridge on the River Tyne, we walked along the quayside, which was arguably one of Terry Farrells most important masterplan projects. What seemed radical at the time, was his ambition to open up the once industrial waterfront to the public, connecting the river to the city centre. This required a sensitive approach to historic buildings, carefully blending new and old architecture.
Our journey then led to the Stephenson Quarter, an area named after George Stephenson, the “Father of Railways”. We visited the heritage asset and listed Boiler Shop, a previous locomotive workshop, now with a new life hosting markets, concerts and exhibitions. Our next stop was the Centre for Life – a Life Science centre and also another well-known Terry Farrell Design, framing the city and forming a physical gateway to the previously inaccessible backlands.
Next stop was Helix, where Jenny Hartley, Director at Invest Newcastle, led our tour group around the new mixed-use development, bringing together business, leisure and residential. Each building has a unique design and personality of its own, which in time should nestle within the community as the landscape matures.
We then met with Louise Sloan, Assistant Director for Planning and Pamela Holmes, Principal Engineer at one of my favourite buildings, the grade II* listed Civic Centre, designed by George Kenyon for Newcastle City Council in 1967. Here we learnt about the wider ambitions for Newcastle, alongside more practical wants, like the funding required for repairs to the Tyne Bridge in time for its 100th Anniversary.
Our journey concluded at the Farrell Centre; an urban room, exhibition space and venue for debate on the future of planning and architecture. Socio-economic expert Tim Ashwin presented his recent research and analysis on Newcastle, which then flowed into a broader presentation about the LDN Collective and our specialists within the team.
Newcastle has clearly been, and continues to be, a forward-thinking city; leading the way delivering iconic modernist architecture. The abundance of warm sandstone, found on its curving city streets, gives it a unique charm, which in the most part has been sensitively blended with new buildings. During our trip we saw exciting new structures and interesting forms with contemporary ideas, but I felt these could be offset and enhanced with a prioritisation of landscape and planting, softening the hard surfaces, increasing wildlife and in time, rooting the newer developments in place. As Architects and Landscape Architects we often see projects fall short in this area, and sadly, Newcastle is no different, suffering the same fate. What is exciting in the case of Newcastle is that the City Council recognise the need for urban greening strategies. They are proactively looking for ways to develop these ideas, aligned with local community engagement, as they wish to think more holistically about landscape and well-being, alongside the practical wants and needs of the community. More power to them!
Steps towards a Sustainable Future
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Lucy Edwards
Lucy is an Architect at BoonBrown with a passion for sustainable, context driven design that responds sensitively to the needs of both users and the environment. As a member of BoonBrown’s Social Value Committee, Lucy is championing carbon footprint awareness and environmental initiatives within the office.
Our Commitment
As part of BoonBrown’s Social Value Strategy, over the last two years we have been calculating and tracking the Carbon Footprint of our Southwest and London Studios.
As a practice, we are committed to reducing our carbon footprint to achieve Net Zero by 2040. This aligns with the government’s goal to achieve Net Zero emissions in the UK by 2050. The first step in reducing our carbon footprint is to measure our existing impact so that we can identify areas of improvement to reduce our carbon emissions where possible. For emissions which cannot practicably be reduced, we will look at offsetting measures to reach our target goal of Net Zero.
This initial exercise of measuring our existing carbon footprint has highlighted some interesting findings and statistics, helping to raise awareness of our environmental impact, both collectively as a business and individually through our own day-to-day habits. We are now well placed to identify steps we can take to actively reduce our emissions and have a better understanding of the remaining emissions which will require offsetting.
Scope 1, 2 & 3 Emissions
There are three ‘Scopes’ which make up our Carbon Footprint calculations, as defined by the Greenhouse Gas Protocol (GHG Protocol) established in 1998:
- Scope 1 covers all direct emissions from sources controlled by an organisation, such as burning fuel in company vehicles, refrigerants, and burning gas in boilers.
- Scope 2 includes indirect greenhouse gas emissions from purchased energy, such as electricity, heating, cooling, and steam.
- Scope 3 covers all remaining indirect greenhouse gas emissions from activities, from sources not owned or controlled by an organisation.
Scope 1 and 2 emissions are generally easy to quantify and record. However, Scope 3 emissions are much harder to measure despite typically accounting for 65% – 95% of an organisation’s total Carbon Footprint. Measuring Scope 3 emissions requires extensive assessment of the supply chain, including both upstream and downstream activities, and often relies heavily on estimates and third-party data.
BoonBrown Carbon Footprint
Our Carbon Footprint is calculated in tonnes of CO2e, or Carbon Dioxide Equivalent. This is a metric measure used to compare emissions of different greenhouse gases based on their global warming potential. For example, emitting 1kg of methane has the same global warming potential as emitting 28kg of carbon dioxide, and is therefore equal to 28kg of CO2e.
At BoonBrown, our Scope 3 emissions account for approximately 85% of our total Carbon Footprint and are broken down into the following categories:
- Employee Commuting
Calculated based on miles travelled, by transport and fuel type.
- Business Travel
Calculated in the same way as Employee Commuting.
- Business Accommodation
Based on number of nights spent in hotel accommodation.
- Waste and Recycling
Calculated based on total weight of items recycled or sent to landfill, which is recorded as part of our ISO14001 processes.
- Water Usage
Calculated using total water consumption in m3.
- Employees Working from Home
Based on average number of days per week spent working from home.
We used the Small Business Carbon Calculator created by Climate Impact Partners to convert our collected data into tonnes of CO2e.
Our total Carbon Footprint for 2022 was calculated at 80.11 tonnes CO2e, equal to approximately 20 elephants! A full breakdown of our calculations and the emissions attributable to each of the above categories is available in our Carbon Reduction Plan on our website here.
What have we learnt?
This exercise has been an enlightening process and allowed us to learn more about the theory behind carbon footprint calculation and better understand the environmental impact of our practices and individual actions. Sharing the findings with our teams in London and Yeovil has given weight to the environmental procedures we implement as part of our ISO14001 accreditation, encouraging staff to adopt new ways of working to reduce our carbon footprint.
As expected, our Scope 3 emissions account for most of our carbon footprint. However, we were surprised to learn that emissions from employee commuting make up such a large portion of this. This is partly down to several members of the southwest team commuting substantial distances to the office every day – journeys that would be difficult to undertake on public transport or by bike! This is an obvious area where we could make an improvement, and we intend to further explore options for reducing this impact next year.
Likewise, there are areas for improvement in our carbon footprint calculations. Since 2022 is the first full calendar year in our new London studio, much of the data for London has been calculated based on averages in the southwest office. Over 2023, we have increased our data collection in both studios which should improve the accuracy of our calculations. We also plan to include emissions from our purchased goods and services to give a fuller picture of our total carbon footprint.
Carbon Reduction Initiatives
Our Carbon Reduction Plan outlines both our implemented and proposed carbon reduction initiatives in detail. Below are some examples of initiatives at an individual level that all employees are implementing in their day-to-day working practices:
- Encouraged staff to switch to ‘green’ search engines, such as Ecosia, which uses profits from advertising to plant trees across the globe.
- Removed individual desk bins, to encourage proper recycling of waste.
- Turning off equipment when not in use, including lights, printers, PCs overnight and monitors when not at your desk.
- Only printing when necessary.
- Encouraged car sharing when commuting or attending remote meetings.
- Unplugging electrical items when fully charged and switching to reusable batteries where possible.
As a practice working in the construction industry, we are well placed to make positive ‘greener’ choices when designing and delivering our projects, encouraging and assisting clients to incorporate sustainable technologies and reducing the carbon impact of development where possible. As we develop our Net Zero strategy, we plan to actively seek opportunities for further offsetting solutions such as tree planting and habitat creation.
As the first full calendar year in our new London studio, 2022 will form our baseline Carbon Footprint calculation for both BoonBrown offices and we aim to see reductions in our collective Carbon Footprint year-on-year. When looking at the Yeovil studio alone, we have seen an estimated 12% reduction in our Carbon Footprint from 2019 to 2022 and we hope to see this positive trend continue over the coming years.
New pathway to becoming an architect
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Written by
Sydney Wheeler
Sydney is currently studying at the University of the West of England in Bristol and is in her 2nd year of the Level 7 Architectural Apprenticeship.
Martin Bignell
Martin is currently studying at the University of the West of England in Bristol and is in his 2nd year of the Level 7 Architectural Apprenticeship.
For many, embarking on the route to becoming an Architect seems like a lifetime. The traditional 7-year minimum path now includes an apprenticeship option, offering academic knowledge and practical application whilst earning a salary. Although this pathway is still a relatively new route to qualifying, it is becoming more and more popular within universities and architectural practices.
After completing our Part 1 placement year, it was apparent that the knowledge and skills you learn whilst being part of a practice surrounded by professionals is invaluable. The mentorship and guidance that we received within the year out exposed us to challenges and complexities in the industry allowing us to enhance our understanding of how theoretical knowledge translates into real-world applications. We were able to develop essential technical skills in areas such as design, software, construction techniques, project management and building regulations to gain a hands-on experience and a greater opportunity to embrace innovation for the betterment of the built environment.
When considering our next steps to qualify, we had to evaluate the options of studying full-time, part-time or on the new Level 7 Architectural Apprenticeship. The benefits of the apprenticeship route allowed for a more accessible and inclusive educational pathway, whilst still being accredited by professional bodies. Studying for 2 days a week, during term time, with the remainder of the year working full-time, we will be able to complete our Part II and Part III in 4 years. Although the timeframe doesn’t differ massively from studying full-time, completing a Part II placement year and finishing your Part III, it has the additional benefit of it being all included within 1 programme. Many people defer their Part III as they are tiresome of academia and become comfortable in their practice. However, the apprenticeship will keep us focused and ensure that we do not prolong the already extensive pathway.
95% of apprenticeship tuition fees are paid by the government with the remaining 5% paid by your workplace practice therefore no student loan is required.
Sydney’s Personal Experience:
‘When considering the routes to qualification as an Architect, I knew that returning to university full-time was not an option. Throughout my undergraduate degree, I had countless bad experiences living in halls accommodation, coronavirus and family emergencies where I was unable to get home. Living away from home, with the long commute, proved to be a real struggle and resulted in my mental health deteriorating. The apprenticeship route has allowed me to stay close to home, whilst earning a full-time salary, and continue my studies to becoming fully qualified. As a result, I have been able to maintain flexibility and financial independence which has allowed me to successfully buy my first home and embark on growing my family by getting a dog.’
As an apprentice, there are government standards that you must fulfil which include having a specific workplace mentor. This has allowed us to gain comprehensive training and support to ensure that our development covers all the RIBA work stages whilst offering valuable feedback and supporting us on our journey. Alongside having a workplace mentor, working closely with other experienced individuals in the office allows us to grow, both personally and professionally, to become more competent and confident. The government apprenticeship requirements also require us to log ‘Off the Job Hours’. These are hours that we have spent learning something new or developing a knowledge, skill or behaviour such as our university lectures, shadowing meetings or reading a relevant book. By recording these hours, it allows us to fully understand the standard that is required of us to be fully qualified and gives us a clear path towards the final gateway. With help from our workplace mentor, we can ensure that we record our development against the criteria to gain experience in all areas of architecture.
Despite all the benefits of the apprenticeship, the work ethic is incredibly demanding and is by no means easy or easier. Having to complete all of our university work, our ‘Off the Job Hours’ and PEDR’s, alongside general living and working full-time is definitely a struggle. With just the evenings and weekends, we have had to make many sacrifices to try and complete the work however this is something that we have not yet mastered.
The combination of working and studying pushes our time management to the limits where at university we are still expected to produce work within the same timescales and standard as a full-time student, without the additional time and days. This aspect of the course was something that we were totally unprepared for. Although we knew the workloads would be heavy from our undergraduate degree, the aspect of an apprenticeship made us think that the submissions would be altered due to us working full-time with the exception of timetabled university days, however this is not the case.
Martin’s Personal Experience:
‘Undertaking the apprenticeship means that you miss out on the typical ‘university experience’ as you have limited exposure to the university setting. However, this is not much of a sacrifice as I have already had this experience from my Part I degree at the University of Plymouth and feel as though the benefits of the apprenticeship outweigh the reduction in social opportunities.
Studying part time at university allows me to research and design using innovative and exciting advancements, whilst working in practice increases my knowledge on current technologies and regulations. Developing my knowledge and attitude towards learning will help me prepare for my future in Architecture.’
After experiencing our first year of the apprenticeship, we often ask ourselves if this is something we would do again and whether we made the right choice. If there were no variables to consider, and it was between full-time education and the apprenticeship, full-time would be preferred as the educational pathway allows you time and space to fully delve and explore the creative briefs. However, taking into consideration all of the above benefits including a full-time salary, being close to home and family, no student loan and the amount of valuable work experience, the apprenticeship is definitely a great choice as it offers a well-rounded and practical approach to learning and qualification, preparing us for a fulfilling career in architecture.